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In the Rearview

Season 37 Episode 8 | 1hr 22m 09s

In a volunteer aid van occupied by multiple generations of civilians, an authentic, intimate observation of the war in Ukraine unfolds. Each passenger is unique in age, origin and circumstance, but alike in where they find themselves — fleeing their homes while huddled together in a cramped back seat. Bound for Poland, the vehicle operates as their shelter, waiting room, hospital and confessional.

Aired: 10/06/24 | Expires: 11/06/24
Major funding for POV is provided by PBS, The John D. and Catherine T. MacArthur Foundation, the Wyncote Foundation, Reva & David Logan Foundation, the Open Society Foundations and the National Endowment for the Arts. Additional funding comes from Nancy Blachman and David desJardins, Bertha Foundation, The Hollywood Foreign Press Association's Charitable Trust, Park Foundation, Sage Foundation, New York State Council on the Arts, public funds from the New York City Department of Cultural Affairs in partnership with the City Council, New York City Department of Cultural Affairs in partnership with the City Council, Chris and Nancy Plaut, Abby Pucker, Ann Tenenbaum and Thomas H. Lee and public television viewers. POV is presented by a consortium of public television stations, including KQED San Francisco, WGBH Boston and THIRTEEN in association with WNET.ORG.
Extras
POV
A merry mission to track Santa Claus.
POV
Trailer for Tunde Skovran's film Who I Am Not.
POV
Message from Edward Lovelace, director of Name Me Lawand.
POV
Decades after his mother's passing, John Cruitt reaches out to his third grade teacher, Mrs. Doyle.
POV
Trailer for Gabriel Francis Paz Goodenough's film The Body Politic.
POV
A Vietnamese American daughter captures her parents on 16mm as they dream of their homeland.
POV
A glimpse into the lives of three quilters in the American West.
POV
The Race to Pit Row - NASCAR’s first black woman pit crew member.
POV
A young med student drives big rigs for tuition fees.
POV
Thao recounts the story of her family’s escape through the lens of her fascination with ants.