Andrew Lapin
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Alex Garland's disquieting sci-fi/horror film isn't just a meditation on fatalism (but it isthat), it's an "atom bomb of a movie, fiery and all-consuming and quite unnatural."
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A plague of frogs, a sentient lost-and-found, a poignant father-son story, a mordant Roald Dahl fairy tale and Kobe Bryant's ode to basketball are up for the animated short film Oscar this year.
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In this indie animated film from China, a bag of money keeps changing hands in a ruthless criminal underworld depicted with a blunt and deliberate crudeness.
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Director Craig Gillespie brings bold innovation to the biopic genre, using various tones and approaches to tell the tale of Tonya Harding (Margot Robbie) while satirizing our love of spectacle.
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The documentary, directed by Didion's nephew, the actor Griffin Dunne, isn't particularly revelatory, but it captures the writer's dazzling life and persona — and her struggles with grief.
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Based on a hugely popular Japanese manga (and anime, and live-action film series), this rushed and sloppy U.S. production Anglicizes the faces, but not the names.
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In this beautifully rendered, meticulously researched anime, we view the bustling Japanese city through the eyes of a young daydreamer whose life is shattered by the inconceivable.
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Bong's clever dark comedy, about a enormous, genetically modified pig and the adorable moppet who loves her, veers wildly in tone, but the CGI oinker at its center is a marvel.
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In her previous work, director Sofia Coppola looked out from inside the bubble that wealth and privilege create. Her latest film grapples with a different — but related — form of isolation.
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Critic Andrew Lapin praises the "unique, understated comic irony" of this largely autobiographical rom-com about a couple whose young relationship gets tested by matters cultural — and medical.