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The Ladies of Longford (from left): Elizabeth Blickenstaff, Stephanie Doyle Gamber, Heather Doyle, Hilda Doyle

In 2018, musician Hilda Doyle celebrated 50 years of performing in Columbus – and it’s always been a family affair. Doyle began performing with her brother as an acoustic duo in 1968. Then when her daughters, Stephanie Doyle Gamber and Heather Doyle, were 4 and 6 years old respectively, they started joining her onstage to sing.

So it’s no surprise that after graduating from college, Heather and Stephanie approached their mom about starting a band together. Hilda’s husband had passed his love of his Irish heritage and Celtic music onto his daughters, and that’s exactly the kind of music they wanted to make together as the Ladies of Longford.

“I started playing the guitar originally when we started this band,” Heather says. “Because we already have a guitar player, Hilda, my mom said, ‘I need some percussion, so you’re playing a drum.’ And I said, OK. So I started playing the djembe and doing other percussion stuff, along with singing vocals.”

With Stephanie on vocals and bass guitar and Elizabeth Blickenstaff bringing her fiddle to the band in 2003, the Ladies of Longford filled out their all-female lineup.

These days, you can sometimes catch three generations on-stage during a Ladies of Longford concert. Heather’s teenage daughter sings with the band, and Blickenstaff’s three daughters dance during some performances.

The Ladies of Longford recently visited the Broad & High studios to share their music and more about their family band.
—Emily Thompson

Meet the Musicians

Hilda Doyle
Vocals, acoustic guitar

From: Portsmouth, Ohio
Resides in: Dublin, Ohio

Fave local venues: “We love Byrne’s Pub, and we love Fado and the Shamrock Club and all the Irish organizations that continue to have us year after year. We also love Natalie’s, and the festivals have been good to us as we come back year after year. We love them all in different ways.”

Heather Doyle
Vocals, percussion

From: Clintonville
Resides in: Dublin, Ohio

Stephanie Doyle Gamber
Vocals, bass

From: Clintonville
Resides in: Upper Arlington

Elizabeth Blickenstaff
Fiddle

From: Bexley
Resides in: Louisville

Broad & High Presents: “Baron’s Heir” by Ladies of Longford

Fill in the Blank

If you like ____, you’ll like Ladies of Longford.

Hilda: If you like having fun

Elizabeth: If you like smiling

When we’re not performing, we’re ____.

Hilda: Resting

Stephanie: Keeping afloat day by day. We are being mothers. We are being wives. We are being entrepreneurs, volunteers, chafers, chefs.

Hilda: Being moms, in general, which covers all of those. All those jobs your mom doesn’t get paid for.

___ is Central Ohio’s best hidden gem.

Elizabeth: Central Ohio is Central Ohio’s best hidden gem.

Stephanie: The music scene

The best food in Columbus is ___.

Hilda: I eat out a lot. My favorite restaurant in Columbus is G. Michael’s. And they’re also my favorite happy hour.

Elizabeth: Rubino’s Pizza

Stephanie: My dad would say Tommy’s Pizza in Upper Arlington, on Lane.

Elizabeth: Hot Chicken Takeover is also. The Grill & Skillet in Bexley is also fantastic and a complete hole-in-the-wall. Bexley natives call it the Kill & Grill It.

Pineapple on pizza is ___.

Elizabeth: Delicious

Stephanie: Wonderful, yummy

Heather: Not my favorite, but I will eat it.

Hilda: Not anything I’ve ever tried. I’ve never ordered it because I just don’t think it goes that way.

Heather: I truly am in an in-between spot. Now if you ask me about anchovies, I would say yes to anchovies.

Elizabeth: I would say yes to anchovies.

Stephanie: Eww, disgusting. Gross.

Hilda: Yeah, three out of four yeses on that. More inclined to eat anchovies than pineapple.

Broad & High Presents: “When I Was a Young Girl” by Ladies of Longford

On Tailoring Traditional Tunes

Heather: That’s what’s so cool about this music, is that you can put a contemporary spin on these old songs and really not lose that history, either. So you’re freshening it up for the people that are here, listening. But at the same time, you’re bringing that history with you, into the present. So I really love that about traditional Irish music when we put this little spin on it.

And that’s kind of what we do a lot, is take a song that is very traditional and mash it up with a song that’s even from right now or put our own spin on it and make it – Hilda-ize it.

Hilda: I’m often coming up with the arrangements, although we never play a song the same way twice. There are little nuances that change with every performance.

People ask me, what kind of stuff do you do? And when you say Celtic music, most of ’em don’t even know what you’re speaking of, you know. But it does cover, like, the Irish and the Scottish and the Welsh, and you know, lots of them have those different backgrounds. But what we’re doing, I’ve always called it contemporary Irish. It’s almost like Celtic fusion.

The music is so familiar. So you have to give it some kind of punch and a little different style because a lot of the other bands that are Celtic bands are doing a lot of the same material.

Stephanie: Sometimes we do a mash-up with a contemporary song – maybe more mainstream, popular music. And also we’ll put things that are normally in a major key into a minor key or vice versa to kind of give it a different feel.

Elizabeth: And I think, when you’re talking about playing traditional tunes, traditional musicians definitely have a specific way of playing and a specific tuning. Hilda, oftentimes, will add a more jazzy –

Hilda: I use jazz chords and rock chords and bluegrass feel. It is a total mix of all those genres. But the Irish music is so versatile just in its flair, you know. Elizabeth can play, like, sometimes I’ll ask her to change up the tempo a little bit, you know, which she can do at the drop of a hat. And she does that even as we perform. She can do it, and we all follow her. We’ve all played so long together.

Stephanie: We never have any written music in front of us onstage because we prefer to play by ear.

Hilda: Well you know, lyrically we remain true to the song. But instrumentally, we put our own just soul into it – not just interpretation, but our own soul and emotion into it. And each one of these girls does that.