Ella Taylor
Ella Taylor is a freelance film critic, book reviewer and feature writer living in Los Angeles.
Born in Israel and raised in London, Taylor taught media studies at the University of Washington in Seattle; her book Prime Time Families: Television Culture in Post-War America was published by the University of California Press.
Taylor has written for Village Voice Media, the LA Weekly, The New York Times, Elle magazine and other publications, and was a regular contributor to KPCC-Los Angeles' weekly film-review show FilmWeek.
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This slyly subversive revisionist take on an infamous Australian outlaw presents the burnished popular myth and a darker, brutal and tragicomic take alongside one another.
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Writer-director Eliza Hittman's tale of a traumatized teen (Sidney Flanigan), who travels to New York for an abortion is best when it hews closest to her point-of-view.
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This "delightful homage" to the world of antiquarian books in New York City features celebrity talking heads — but comes alive when it spotlights the eccentrics who are passionate about collecting.
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Michael Winterbottom's sardonic tale of an amoral British businessman (Steve Coogan) who throws himself a shameless birthday party goes for the jugular.
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Marielle Heller's new film isn't Fred Rogers' story — it's the story of two damaged outsiders (Tom Hanks and Matthew Rhys) finding a connection that overcomes the darkness in their childhoods.
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Matt Damon and Christian Bale star in the story of Ford's attempt to create a car that will best Ferrari at Le Mans in this "rollicking" "wildly entertaining" film.
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Flat characters spout banal observations about life against a lush backdrop in Ira Sachs's film, which wastes the considerable talents of its all-star cast.
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Pedro Almodóvar's wonderful, mature drama sees an aging director (Antonio Banderas) ruminating on his mortality while attempting to rouse himself into making another film.
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This "moving, sympathetic but ultimately frustrating tribute" to Marianne Ihlen inadvertently reveals the male gaze's narrow focus by defining this complicated woman as Cohen's passive muse.
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A young man attempts to reclaim a grand home in San Francisco's gentrified Fillmore district in this "wistful fairy tale built from real-life materials."