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	<title>Classical 101 &#187; Stephanie Blythe</title>
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	<itunes:summary>Classical music all day, every day</itunes:summary>
	<itunes:author>Classical 101</itunes:author>
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		<title>New Book Praises Met Opera Maestro James Levine&#8217;s Deep Humanity</title>
		<link>http://wosu.org/2012/classical101/new-book-praises-met-opera-maestro-james-levines-deep-humanity/</link>
		<comments>http://wosu.org/2012/classical101/new-book-praises-met-opera-maestro-james-levines-deep-humanity/#comments</comments>
		<pubDate>Fri, 01 Jul 2011 18:01:18 +0000</pubDate>
		<dc:creator>Jennifer Hambrick</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Classical Music News]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Topics]]></category>
		<category><![CDATA[James Levine]]></category>
		<category><![CDATA[MArilyn Horne]]></category>
		<category><![CDATA[Stephanie Blythe]]></category>
		<category><![CDATA[The Metropolitan Opera]]></category>

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		<description><![CDATA["James Levine: 40 Years at The Metropolitan Opera" is a coffee table book as lavishly appointed as the Met's productions.]]></description>
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		<title>The Met&#8217;s Die Walküre &#8211; All Those Valkyries and the Machine Breaks Down!!?!</title>
		<link>http://wosu.org/2012/classical101/the-mets-die-walkure-all-those-valkyries-and-the-machine-breaks-down/</link>
		<comments>http://wosu.org/2012/classical101/the-mets-die-walkure-all-those-valkyries-and-the-machine-breaks-down/#comments</comments>
		<pubDate>Mon, 16 May 2011 18:40:35 +0000</pubDate>
		<dc:creator>Christopher Purdy</dc:creator>
				<category><![CDATA[Classical Music News]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Programs]]></category>
		<category><![CDATA[Saturday on Stage]]></category>
		<category><![CDATA[Topics]]></category>
		<category><![CDATA[Bryn Terfel]]></category>
		<category><![CDATA[Deborah Voigt]]></category>
		<category><![CDATA[Die Walkure]]></category>
		<category><![CDATA[Hildegard Behrens]]></category>
		<category><![CDATA[James Levine]]></category>
		<category><![CDATA[James Morris]]></category>
		<category><![CDATA[Jon Vickers]]></category>
		<category><![CDATA[Jonas Kaufmann]]></category>
		<category><![CDATA[Leonie Rysanek]]></category>
		<category><![CDATA[Lotte Lehmann]]></category>
		<category><![CDATA[Richard Wagner]]></category>
		<category><![CDATA[Robert Lepage]]></category>
		<category><![CDATA[Stephanie Blythe]]></category>
		<category><![CDATA[The Metropolitan Opera]]></category>

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		<description><![CDATA[Despite a late start due to technical difficulties, I have never enjoyed Die Walküre as much as I did last Saturday in an HD transmission from The Metropolitan Opera.]]></description>
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		<title>Metropolitan Opera&#8217;s New &#8216;Das Rheingold&#8217;</title>
		<link>http://wosu.org/2012/classical101/the-mets-new-rheingold-a-view-from-the-provinces/</link>
		<comments>http://wosu.org/2012/classical101/the-mets-new-rheingold-a-view-from-the-provinces/#comments</comments>
		<pubDate>Tue, 12 Oct 2010 16:23:32 +0000</pubDate>
		<dc:creator>Jennifer Hambrick</dc:creator>
				<category><![CDATA[Opera]]></category>
		<category><![CDATA[Topics]]></category>
		<category><![CDATA[Anne Midgette]]></category>
		<category><![CDATA[Anthony Tommasini]]></category>
		<category><![CDATA[Bryn Terfel]]></category>
		<category><![CDATA[Das Rheingold]]></category>
		<category><![CDATA[Eric Owens]]></category>
		<category><![CDATA[Richard Croft]]></category>
		<category><![CDATA[Richard Wagner]]></category>
		<category><![CDATA[Robert Lepage]]></category>
		<category><![CDATA[Stephanie Blythe]]></category>
		<category><![CDATA[The Metropolitan Opera]]></category>

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		<description><![CDATA[If you attended the live HD transmission of the Metropolitan Opera's new Das Rheingold, you might have experienced a rather different opera than did the critics from their seats in the Metropolitan Opera House. I thought it might add texture to the discussion about Robert Lepage's high-tech baby to chime in with my own thoughts. ]]></description>
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