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“Historically Informed” Performances, or New Interpretations?

26, 2012

Historically informed and period instrument performances exist along side 20th-21st century interpretations on modern instruments.  Is one better than the other, or just different? Simone Dinnerstein may rankle some “purists,” but she doesn’t take time to worry about that. “I’m not really interested in how Bach played it,” Dinnerstein says on a sunny morning in [...]