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Igor Stravinsky’s Jazz Sides

drawing of Stravinsky by Picasso
Stravinsky felt that the jazz musicians would have a hard time with his various time signatures
November 29, 2006

Boyce Lancaster talks with Maestro Albert-George Schram, former staff conductor of the Columbus Symphony Orchestra, about Igor Stravinsky’s foray into jazz, the Ebony Concerto (1945) and the Concerto in E-flat, a.k.a. Dumbarton Oaks (1937–38).