Curator Melissa Wolfe talks about the inspiration we can all take away from the Columbus Museum of Arts newest exhibition showcasing the work of home town hero George Bellows. George Bellows and the American Experience through January 4, 2014. This exhibition follows on the heels of a major retrospective of the artist organized by the [...]
There is more to the Concertmasterâ€™s job than just playing â€œall of the really tough solos.â€ In our second look at the Concertmasterâ€™s position, ProMusica Music Director David Danzmayr begins to describe in more detail the role played by the person sitting at the front of the violin section.
The concertmaster is the last musician onstage before the conductor – and any soloist in, say, a concerto. ProMusica Chamber Orchestra Music Director David Danzmayr about the role of the Concertmaster.
A question that comes up from time to time at concerts is, â€œCouldnâ€™t they amplify the (insert any instrument here) so we could hear it better over the orchestra?â€ In the latest edition of the podcast we talk about this subject.
Oftentimes it seems conductors are up there waving their arms, but no one in the orchestra is watching. ProMusica Chamber Orchestra Music Director David Danzmayr says looks can be deceiving â€“ that there is a lot more communication going on than meets the eye â€“ and it all starts with the Concertmaster.
ProMusica Music Director David Danzmayr spoke about how he deals with sleepâ€¦or the lack of it.
During my ongoing conversation with new ProMusica Chamber Orchestra Music Director David Danzmayr and Executive Director Janet Chen, we began looking at the future of Classical music, both in our country and elsewhere. The conversation, as you might expect, turned to children and music education.
Recent seasons have presented examples of concerts, such as percussionist Colin Currie and recorder soloist Michala Petri, which represent the ongoing mission of ProMusicaâ€¦to perform the best that Classical music has to offer, while seeking out new works and new ideas to keep the concert experience fresh and interesting.
Being a conductor involves more than just waving a stick. The best ones know how to shape and sculpt the sound of an orchestra, getting the absolute best from the musicians.
David Danzmayr and ProMusica Chamber Orchestra explore the possibilities of Schubert’s Symphony No. 8 in a finished form Sunday at 1:00pm on the ProMusica broadcast.
Classical 101′s Boyce Lancaster and ProMusica Chamber Orchestra Music Director David Danzmayr continue their discussion about what makes a great performance and recording and which conductors do it best, in David’s opinion. This week they discuss Carlos Kleiber.