There is something about Mozart which seems to cross the boundaries of country, age, and era.
What a wonderful job to have! Stage lights, a live audience, and spending your life making music for others.
I have found that the more I know about and listen to composers such as Bach, Mozart, Tchaikovsky, and Stravinsky, the more I appreciate well-crafted and well-performed music of other types.
The “glamorous” life of a musician is not always that glamorous.
In this final part of our concertmaster conversation, David Danzmayr mentions that he sometimes steps back and leaves the orchestra to play segments of pieces alone, because thereare times that the conductor can just “get in the way.”
There is more to the Concertmaster’s job than just playing “all of the really tough solos.” In our second look at the Concertmaster’s position, ProMusica Music Director David Danzmayr begins to describe in more detail the role played by the person sitting at the front of the violin section.
The concertmaster is the last musician onstage before the conductor – and any soloist in, say, a concerto. ProMusica Chamber Orchestra Music Director David Danzmayr about the role of the Concertmaster.
A question that comes up from time to time at concerts is, “Couldn’t they amplify the (insert any instrument here) so we could hear it better over the orchestra?” In the latest edition of the podcast we talk about this subject.
Oftentimes it seems conductors are up there waving their arms, but no one in the orchestra is watching. ProMusica Chamber Orchestra Music Director David Danzmayr says looks can be deceiving – that there is a lot more communication going on than meets the eye – and it all starts with the Concertmaster.
ProMusica Music Director David Danzmayr spoke about how he deals with sleep…or the lack of it.