Mexican composer Manuel Ponce wrote his Concerto of the South, which features native Mexican rhythms and harmonies combine with the composer’s own original themes will be featured on Fretworks Saturday night at 7pm on Classical 101.
We’ll ring in the official start of summer on the next Fretworks program with banjo player extraordinaire Bela Fleck and his arrangement of J. S. Bach’s Prelude from the Violin Partita No. 3, a dazzling piece for any instrument. For a calmer musical experience, guitarist David Leisner will have American composer Lou Harrison’s lovely Serenade.
Joaquin Rodrigo wrote his Fantasia para un Gentilhombre for Andres Segovia in 1954, and apart from the Concierto de Aranjuez, is the most popular music featuring guitar that he composed. The Fantasy for a Gentleman is a suite for guitar and orchestra based on music of the 17th Century guitarist Gaspar Sanz. Pepe Romero will be the [...]
Fretworks usually focuses on the modern classical guitar for most of the recordings I present Saturday evenings at 7, but this week lutenist Christopher Wilke joins me in the studio for conversation about the lute and will perform for us. We’ll hear a sonata by 18th century German composer Johann Adolf Hasse.
This Saturday at 7pm on Classical 101 on Fretworks, we’ll hear from guitarist Jason Vieaux’s brand new recording with music of Francesco Tarrega, and Antonio Carlos Jobim and Stanley Myers’ lovely Cavatina from The Deer Hunter.
This Saturday evening at 7pm on Classical 101, our hour long program Fretworks has music for the classical guitar. This week we’ll hear a guitar trio, a duo, solo pieces, and a concerto for good measure.
This week on Fretworks, the standard six-string Spanish classical guitar is featured on all of our musical selections with some solo pieces as well as various ensemble combinations.
On Saturday evening at 7 on classical 101, the next Fretworks broadcast will feature Paul Galbraith and his 8-string guitar for music of Johann Sebastian Bach.
Conductor and arranger Peter Breiner has made an intriguing setting for guitar and orchestra of music from George Bizet’s opera Carmen. Bizet’s 1875 opera is so full of good tunes, Breiner made his arrangement into four movements lasting about 50 minutes.
This week on Fretworks, we have one of the great early 19th century guitar concertos, Mauro Giuliani’s Guitar Concerto in A, Op. 30. This work from around 1812 is in Late Classical/Early Romantic style and is a joy to hear.