Curator Melissa Wolfe talks about the inspiration we can all take away from the Columbus Museum of Arts newest exhibition showcasing the work of home town hero George Bellows. George Bellows and the American Experience through January 4, 2014. This exhibition follows on the heels of a major retrospective of the artist organized by the [...]
Parsifal Live in HD
The Metropolitan Opera continues its live in HD series this Saturday withÂ newÂ Wagner’s Parsifal. This new staging, by Francois Girard, stars Rene Pape, Katarina Delayman, Peter Mattei, and tenor Jonas Kaufmann, in the tile role.
No singer has attracted such a fan base in the past few years quite like Kaufmann. He’s good-looking and has a fantastic voiceÂ andÂ he knows how to use it. Parsifal is a hit in New York, andÂ willÂ soon beÂ all over the world.
Of all of Richard Wagner’s long, sometimes ponderous operas,Â Parsifal is the longest and to many the most convoluted. First, the knights of the Holy Grail are invaded by an innocent fool. Next, Parsifal isÂ seduced by the sorceress Kundry. However, he manages to just barelyÂ avoid her charms and secures the grail for the dying King Amfortas.
This long Christian allegory, Wagner’s final work, Â is controversial. There is some perception that Wagner shows antisemitism in some works, such asÂ The Jew in Music.
Wagner will forbade performances of Parsifal outside of his own theater at Bayreuth. Twenty years after the composer’s death, the Metropolitan Opera in New York braved the wrath ofÂ Wagner’s scary widow, Cosima, and her brood, and went ahead with Parsifal. It was billed, not asÂ an opera but as aÂ ’buhnenweihfestpiel’ also known as ‘A Festival Play for the Consecration of the Stage’.Â
Of all of Wagner’s operas, I find this holy knight to be the most addictive. I admire Tristan and Isolde and Â I enjoy several f his music dramas. I love Â Parsifal and I think it reaches me as music. I needn’t savor the words, nor all of theÂ dogma of blood, spear, wounds orÂ sex.Â From the first bares of the prelude I go into a zen like state, not to emerge for six hours.
Evidence of my love for ParisfalÂ can be seenÂ in my student days and even later, when I would always stand throughÂ Parsifal. Standing room was $2 in my day. It was hard on my feet, but an opera this long is hard on your bottom, even in the cushiest seats, so it was aÂ fair trade.
This new staging is bloody:Â you seeÂ the blood of Amfortas, who was pierced in the side, by the lance that injured Christ. The sorceress Kundry, ageless and doomed, lives under a curse for laughing at Jesus as he was driven toward Golgotha. Parsifal himself is a holy innocent. . He is clueless and rebuked by the aged monk Gurnemanz for killing a swan.Â However, it is Parsifal, the holy fool,Â who heals Amfortas and claims the grail.
I’ll be in the cinema this Saturday, sitting I’m sure (get there early–everyone comes out for Wagner). There hasn’t been a cast this strong, with Messrs. Kaufmann, Mattei and Pape and Mme Delayman, since Jon Vickers, Leonie Rysanek, Kurt Moll and James Levine; artists who made standing through this sublime music, bliss.