Curator Melissa Wolfe talks about the inspiration we can all take away from the Columbus Museum of Arts newest exhibition showcasing the work of home town hero George Bellows. George Bellows and the American Experience through January 4, 2014. This exhibition follows on the heels of a major retrospective of the artist organized by the [...]
Olympic Ice Skating is Set to Music That is Subpar
What is it with the music at the Olympics? Not to channel Andy Rooney, but it seems that when you have a budget that, according to one report, exceeds 1.75 BILLION dollars, the music for the ice skaters could be just a little better.
A recent article by Anne Midgette in the Washington Post takes to task the folks who decide what music to use in each program and makes some good points:
Increasingly popular, too, are film scores. “Film scores have no rhythm,” Hurwitz says. “It’s just mood music, not meant to be choreographed. But they do it anyway, because they liked the movie [and can] wear a funky costume.”
For the Japanese skater Miki Ando, the 2007 ladies’ world champion, (Alexander) Goldstein (a Russian-born composer) has assembled a short program from excerpts of Mozart’s Requiem. The problem is that no branch of figure skating, except ice dancing, allows words in the musical selections for its programs. Goldstein, therefore, had to creatively arrange the score. “I used the choir, but they don’t pronounce any words,” Goldstein says. The result is a kind of expressive vocalise that, as he says with a “what can I do” tone in his voice, “fulfills the figure skating requirements.”
My complaint, however, goes to the WAY it is mixed and to the terrible quality of the recordings they use. I’m sure by now my family hates to watch the Olympics with me, because I spend my whole time whining about the music and how much better I could do it.
In the report I saw, the allocation for technology, which I assume would include editing equipment, was nearly $392,000,000. The budgeted amount for “Services and Games Operations” was over $616,000,000. Probably somewhere down in the fine print wasÂ $137.93 for recordings and music production…either that, or they turned to an intern and said, “Do you have any recordings in your car?”
If we can see how many millimeters separate the skate blades ofÂ Apolo Anton Ohno and Charles Hamelin, surely someone can make the music we hear as enjoyable and entertaining as the skaters we’re watching.
International Olympic Committee…call me. I think we can work something out.