Curator Melissa Wolfe talks about the inspiration we can all take away from the Columbus Museum of Arts newest exhibition showcasing the work of home town hero George Bellows. George Bellows and the American Experience through January 4, 2014. This exhibition follows on the heels of a major retrospective of the artist organized by the [...]
Columbus Symphony: Romeo and Juliet
The Columbus Symphony presents Romeo and Juliet program for Valentine’s weekend, February 14 and 15, 8 PM in the Ohio Theater. Come an hour early, have cocktail and listen to my pre-concert talk.
Michael Stern conducts Berlioz Love Music from Romeo and Juliet; a Suite from Prokofiev’s ballet Romeo and Juliet; and the dances from Bernstein’s West Side Story.
This concert will be broadcast on Classical 101 Sunday, April 6 at 1 p.m.
West Side Story was a contemporary Romeo and Juliet. “It must be remembered” writes critic Ken Mandelbaum,” that the show was putting onstage the violence that was happening nearby.” But the love between Maria and Tony and its tragic consequences proved irresistible. Leonard Bernstein’s score was jarring, dissonant, difficult and soared with love music like nothing else
Bernstein arranged the hottest tunes (were any cold?) into a suite of Dances from West Side Story. We’llÂ hear these dances in theÂ Ohio Theater this weekend. Afiery and dangerous love between two teenagers.
Hector Berlioz wrote a symphonie dramatiqueÂ ofÂ Romeo and Juliette. Berlioz was different from French-born composers of his time and in that he was no miniaturist. Size counted and Berlioz liked a large orchestra, choruses andÂ robust soloists. Even so, he deliberately scored Romeo and Juliet’s scene d’amourÂ for orchestra with no voices. This kind of lush, sensuous music predicted Wagner, and that composer himself was in the audience for the Berlioz premiere.
Berlioz called the love music from Romeo and JulietÂ the greatest of all his works. Who’s to say he’s wrong?
Sergei Prokofiev couldn’t get a break with his ballet score Romeo and Juliet. The Bolshoi called it impossible to dance. The Kirov wouldn’t touch it. It was thought to be too rhythmically complicated for those gorgeous sinuousÂ Russian and Danish choreography. Eventually, the full ballet was staged in Prague. The Soviet government was embarrassed and a production was quickly putÂ together for the Kirov in what is now, again St Petersburg. Â This was the ballet in which Margot Fonteyn met Rudolf Nureyev. Their partnership outsold the Beatles all over the world in the early 1960s.
This weekend’s Columbus symphony concerts present no singers and no dancers. We don’t need them. Bernstein and Prokofiev left engaging orchestral suits of theirÂ music meant for orchestra alone. Included in his weekend’s program is Prokofiev’s fight between the Montagues andÂ the Capulets.
The love of Romeo and Juliet inspired Shakespeare, plus 14 operas, films beginning in 1908 and Prokofiev’s eminently danceable ballet. You don’t have toÂ dance this weekend. The Columbus Symphony will fill your evenings with the love and passion of Shakespeare, Berlioz, Prokofiev and Bernstein. Bring your honey.