Curator Melissa Wolfe talks about the inspiration we can all take away from the Columbus Museum of Arts newest exhibition showcasing the work of home town hero George Bellows. George Bellows and the American Experience through January 4, 2014. This exhibition follows on the heels of a major retrospective of the artist organized by the [...]
Classical Haiku: Giuseppe Verdi
Heartache and revenge
in your heroinesâ€™ footlights â€“
all the worldâ€™s your stage.
If one were to look at a list of opera productions around the world since, say, 1960, the operas of Giuseppe Verdi might well outweigh those of almost any other composer (Giacomo Puccini being a notable exception).
While Verdi didn’t invent opera, his operas did weave togetherÂ many of the strands of musical and dramatic invention that composers before him posited into the genre.
Verdi’s operas combine the influences of Italian opera composersÂ VincenzoÂ Bellini (i.e. Norma) and GaetanoÂ Donizetti (i.e. L’elisir d’amore) to create an operatic experience that is, at once (in my opinion), more fluid musically and, therefore, dramatically than those conceived of by his predecessors.
The result: When you leave a performance of a Verdi opera, you feel as though you’ve done more than hear beautiful music. You feel as though you’ve been personally engaged with the players in someone else’s, well, soap opera.
Today’s Classical Haiku celebrates Verdi’s flair for the dramatic, still writ large on the great stages of the world.