Curator Melissa Wolfe talks about the inspiration we can all take away from the Columbus Museum of Arts newest exhibition showcasing the work of home town hero George Bellows. George Bellows and the American Experience through January 4, 2014. This exhibition follows on the heels of a major retrospective of the artist organized by the [...]
Classic Opera: Tebaldi and Bjorling Sing La Boheme
Someone once said that we’re all embarrassed by Puccini operas, but that many of us would also have to admit that Puccini’s operas are what turned us into opera lovers in the first place.
Embarrassed? It’s those long, lush, romantic melodies that make us feel like lovesick teenagers. It’s the faux boheminaism, the faux orientalism, or even, in the case of La Fanciulla del West, the faux Americanism that gives Puccini’s opulent sound world a dime store tint. We might say that Puccini’s operas as objets d’art are a bit twee, that heartbreaking sentimentalism like that which makes La BohÃ¨me a three-Kleenex opera isn’t what art-loving sophisticates shell out for.
The thing is, art-loving sophisticates do shell out to see La BohÃ¨me and for the pleasure of falling in love as MimÃ¬ and Rodolfo fall in love and of weeping bitterly as MimÃ¬’s consumption drains the very song right out of her.
Why? Well, those long, lush, romantic melodies are nice to listen to, for one thing. But it’s also because we like to live vicariously through characters who, safe and sound behind their proscenium, are free to wear their hearts on their sleeves in ways that we are not. In short, we long not just to see and hear Puccini’s characters, we long to be them.
In that vein, I hope you’ll enjoy this video of a 1956 performance of “O soave fanciulla” from the Act I love scene from La BohÃ¨me, featuring the incomparable Renata Tebaldi as a blushing MimÃ¬ and the famed Jussi BjÃ¶rling as the love-struck Rodolfo.
And don’t worry. Your secret’s safe with me.