Recently, one of the premier American orchestras, the New York Philharmonic, underwent another personnel change that may affect, even if subtly, the sound of that esteemed ensemble.
Mexican composer Manuel Ponce wrote his Concerto of the South, which features native Mexican rhythms and harmonies combine with the composer’s own original themes will be featured on Fretworks Saturday night at 7pm on Classical 101.
For the rest of the week, leading up to the Fourth of July on Friday, I’ll be featuring American composers on Symphony @ 7: Charles Ives, Aaron Copland, Alan Hovhaness and Don Gillis. I started on Tuesday with that American original Charles Ives and his early Symphony No. 2 from 1901. It’s a relatively conventional [...]
On the next Fretworks program Saturday evening on Classical 101, we’ll hear the Divertissiment for Plucked Instrument Orchestra and Farewell to Stromness.
We’ll ring in the official start of summer on the next Fretworks program with banjo player extraordinaire Bela Fleck and his arrangement of J. S. Bach’s Prelude from the Violin Partita No. 3, a dazzling piece for any instrument. For a calmer musical experience, guitarist David Leisner will have American composer Lou Harrison’s lovely Serenade.
Hear musical sounds from the heart of Bavaria in Germany as we feature the Bamberg Symphony Orchestra for the rest of the week on Symphony @ 7. This evening, current music director Jonathan Nott will lead the orchestra in Franz Schubert’s youthful Symphony No. 2 in B flat. “Extraordinary city. Extraordinary orchestra,” is how the [...]
The next Fretworks broadcast Saturday evening at 7 on Classical 101 will feature guitar, lute and mandolins. The Modern Mandolin Quartet will start the hour with the finale from Antonin Dvorak’s American Quartet, the String Quartet No. 12 in F in an arrangement for four mandolins from their CD, “Americana.” The early 19th century guitarist [...]
June 11th is the 150th birthday of German composer and conductor Richard Strauss. Born in 1864, he lived until 1949. He was important in the musical developments of the late Romantic and early modern eras. He expanded the range of orchestral writing by both increasing the size of the orchestra and by enriching the complexity of harmonic language.
This evening on Symphony @ 7, I have one of the really grand works of the Late-Romantic Era, Symphony No. 2 in C minor, the Resurrection, by Gustav Mahler. It’s part of our Mahler Monday presentations on Classical 101, airing from now until August 1.