Conductor and arranger Peter Breiner has made an intriguing setting for guitar and orchestra of music from George Bizet’s opera Carmen. Bizet’s 1875 opera is so full of good tunes, Breiner made his arrangement into four movements lasting about 50 minutes.
Listen to the Story
Go behind the scenes of the BalletMet’s performance of The Nutcracker and find out what it takes to corral hundreds of children who rotate in and out of the company’s 18 performances.
“A theater is set up in a way to be able to mask what happens backstage so that whatever you see onstage is the part we want everyone to enjoy. And you don’t necessary have to know that backstage there’s a lot of scurrying around…” said Daryl Kamer, rehearsal director.
It can get “pretty wild,” she adds.
Amy Huffman, a parent volunteer (also called “kid wrangler”), said that all the parents get involved in some aspect of the production.
There are about 130 students (ages 7 to 19) performing in BalletMet’s The Nutcracker. Huffman said that the students are very dedicated, but when you have so many students, “it’s a lot like herding cats sometimes.”
Lorrie Strum, head chaperone, describes some of what is involved in coordinating the kids costumes, dress, make-up, and with the stage.
Cannon Silver, another kid wrangler, said “It’s the process of building character in these young dancers … that is really the greatest value from this experience, and the chance to be on stage, to be graceful, and to act a part, and to have that experience of touching other peoples lives…”
“The Nutcracker is our gift to the community,” said Catherine Yoshimura of BalletMet.